Yer Doin' It Wrong

I played the flute for a good ten years of my life. I chose the flute in seventh grade, partly because I was having trouble deciding between it and the oboe, but there had been a kick ass flute solo (probably done on a synthesizer) in a Guns 'N Roses song that summer (maybe you've heard it, November Rain), and my friend Shanda had grabbed my hand and thrust it into the air when Mr. Lumpkin asked if anyone wanted to play the flute. I joined, that day, a small mix of petite girls with pale faces and quiet dispositions. SSSOOOOO me, right?

I took to it very quickly, fell madly in love with the time it gave me, alone in my room, away from my thoughts. I used to subconsciously "dance" while I played. My instructor told me she thought I would fly away flapping my elbows around. I never noticed it. I never noticed anything while I was playing the flute, for a short while.

I played a Yamaha with a silver head, silver plated body, open holes, and a "b flat foot" (mad street cred).

Oh, and I was good.

I won first chair in the second band at all region when I was in eighth grade, which was exciting, but not as good as my predecessors had done. I knew that because people told me, my teachers, my parents, other band members, the older boys in band that used to flirt with me, the mouthy flautist.

Look at my PANTS?!?!?!?!!?

The next year I made first chair first band, and I didn't think I had a chance. I had flubbed the hell out of my scales audition, had a huge tantrum with my instrument while rehearsing that very scale (A major, bastard) earlier in the week, and spent an hour in the corner of the bathroom crying, NAY, weeping about my sub par audition. I hugged my knees to my chest, hiccuped--it was that awful hiccuping cry--and tried to calm myself from the terror of facing the world as a failure.

I convinced myself that I probably just got first chair because the girl who was supposed to "beat" me had mono, and while she did audition, she hadn't been able to devote all of her love to her instrument. She was devoting most of it to her boyfriend...CLEARLY.

But I did score a 111.54 out of 115.

The next summer, my dad and I were perusing the used piccolos at this warehouse collective somewhere in midtown Memphis. It was right before I started driving, so I can't remember exactly where it was, nor do I remember if it's still there. I hated the piccolo. I got it, I understood the impact of that particular register of woodwind on the depth of the music, but I just...didn't GET it, ya know?

There was a lady standing by, listening to me switch back and forth between the piccolo and some of the more expensive flutes. She had leathery tanned skin and frizzy blonde curly hair. She asked me if I was taking lessons with anyone...from where she stood...at a distance. She was wearing one of those broom stick skirts (of course, I probably was too...at that time in my life). My dad stepped in as I answered her. She smiled and rolled her eyes at my answer.

"I know her. She's good...but she can't teach you everything."

She approached my dad with her hand outstretched, a card in it.

"If you want her to learn the whole instrument and its purpose, I can teach her jazz."

"She's happy where she is I think, but thank you," my dad replied to her.

We laughed about it later. JAZZ. HA! What good was THAT going to do me at all-state auditions? I watched her as she drove out of the parking lot in her beat up 86 Honda, struggled to roll the manual window down on the passenger side, and lit a cigarette.

The next few years led me further and further from the flute. I still held onto the idea, went to master classes, went to see the amazing artists that my private flute instructor was able to bring to Memphis. She organized a flute festival and sent me to North Texas to study alongside a dozen other mouthy floutists with one of the most intense and effective flute instructors I have ever met (she made me cry once, in front of everyone). And, yes, I went to "flute camp."

When I came back from camp, my instructor told me I had my sound back, but I knew that I hadn't gotten that thing back, that part of me that was able to completely let go while I played. I couldn't relax, and I couldn't win. I couldn't audition. I became impossibly mortified of being in a room full of judges behind a screen. I told an instructor at a master class once that I might be able to play the song better if the entire audience weren't looking at me, so she made them get up and turn around. I played, and she told me it was all in my head.

My instructor recommended anxiety medication, my parents: therapy. My church recommended prayer.

There was this movement of thought that happened a while ago (if you really wanna know, you can always look things up) called structuralism. It saw (sees) everything as a structure built by society through language to define reality...which means that what we think is reality isn't really because we created the language that defines our reality...so it's our perception of reality...and....also......There was this psychoanalyst that came out of this movement named Lacan who philosophized that the moment we, as humans, learn language, we become separated from reality, and we spend the rest of our lives trying to get back to that place where nothing was defined and everything was me and my mom, and I was my mom and my mom was me and the bed and my food and everything. Nothing existed outside of me until I defined it as such.

Except I let other people define it for me...most of us do the same.

That other place, where nothing exists, that's the place I lost. That's the place to which I've spent the rest of my life trying to return.

When I think about it, I sometimes wonder if perhaps taking that woman up on her offer to teach me jazz would have made a difference. I wonder if escaping from all the exercises and metronomes and contests would have led me back to the quiet existence of just me...and the music.

I think about it when I hear jazz, and it sounds so free. I know that anything can be killed, that there are aspiring jazz musicians who struggle to live up to the standards the world has set for them. I know what happens when you forget why you came into the room in the first place, what happens when you let go of what matters for what you THINK matters.

There is nothing so difficult as life in a box. There is nothing so soul sucking as drowning in comparisons.

I was too scared to go to school for music because I didn't want anyone to tell me that I was doing it wrong.

I still have that trepidation with all of my art. My art is my soul, even the most ridiculous parts of my art...s. I take medication and go to therapy all to find and free that part of me I lost when I started to let the world define my terms. I'm trying to define my own terms now. Finally. Please don't tell me I'm doing it wrong.

Don't Sell Me a Gun or Some Facts About My Depression

Since I was a kid, I’ve had these wild fantasies wherein I get some horrible disease that makes/forces everyone to feel sorry for me, and worry about me, and...you know...give a shit. I’ve been depressed for most of my life, but no one feels sorry for you if you’re depressed. People feel sorry for you if you have cancer.

My depression comes from severe anxiety, so when I go through a period of high stress and it ends, I get really really depressed. It’s awesome. So, I’m crazy and angry for a few weeks, and then I’m so sad my whole body hurts, and I don't want to eat or drink or do anything....and then I feel better and start taking on more responsibilities. Then, I get stressed out again, and then I get depressed...it’s the circle of life. The wheeeeeel of misfortune.

I have trouble getting too close to people because of my depression. I try to be open about it, but end up sounding like an after school special, and then I actually get depressed and become mean and sad and convinced that I don’t have any friends. And I’m scared to call anyone because most people aren’t sitting around hoping their friend will call and say, “I don’t have any friends!!!” but in, like, the saddest cry voice you can think of.

I feel bad for my friends. I love my friends and I want them to know that I love them, but sometimes I can’t smile or be “happy” or stop crying or stop yelling about things or stop locking myself in my room and pretending to be dead.

I was diagnosed with “moderate major depressive disorder.” I’m moderately majorly depressed.

I’m kind of really depressed. I’m a little bit super depressed.

Why am I angry all the time? Because I’m sad and scared a lot FOR NO REASON. I’m just as confused as everyone else is. I would be fine if my life didn’t come to a halt every now and then because of my inability to separate myself from my emotions. I would be peachy.

In reality, I think I’m pretty nice….I think I am. I generally hope everyone is okay. I mostly want everyone to be happy. I’m more than grateful for what my friends do for me. But I run a lot of friends off….being sad. or angry. and then I feel bad...and I just bury myself in a hole of shame. And it’s not like I’m just saying to people “this is me! fuck you if you don’t like it!” I generally try to let people know “I’m depressed, and sometimes it’s really really hard.”

I lose friends, despite my best efforts. It is a lot to take on. My mood swings are enough to make me not want to hang out with me, but I’m always there, tagging along. I’ll go from “I’m an intelligent human being, and I make a contribution to society,” to “I’m an idiot and the worst at literally everything.” Naturally, feeling this way about myself leads to a great deal of anger. I think to myself “if I’m so great and intelligent and funny, why the hell do I suck so bad?”

I used to believe it when people pointed out my flaws as...flaws. I still believe it, but I’ve been carrying around a lot of things that were said to me out of fear and self-loathing that I took on and have continued to carry with me for over a decade. I believe, most of the time, that these people must know better than I, and that, although my primary intentions do not include bitterness or hatred, it must run rife in my blood if so many people respond to me as such. I am mostly just very confused.

I don’t like to hide from things. I don’t find that kind of behavior to be beneficial to me. I may be wrong about that. Instead of hiding from things, and ignoring them until they go away, I like to drown in them, sit on the floor and obsess over them until there is nothing left of me. I will withdraw and moan, but I don’t believe I try to crush people. I don’t believe I try to hurt people. I suppose I withdraw because I don’t want to hurt anyone. I don’t want anyone to feel like I do.

I do not fully and completely see myself as a beautiful person. Maybe in any way. On the one hand. There’s a whole different hand on the positive end of that spectrum, it’s just a small gimp hand that doesn’t do much. Maybe I need a robot hand. A Darth Vader hand.

But sometimes I do look in the mirror and see myself and think, holy cow. I'm gorgeous. And sometimes I look back on my life, what I've done and where I've been, and I think, GOOD GRIEF you've had a life. And I have.

Sometimes I feel like there is nothing but sadness. That my future is only a constant cycle of pain and confusion. Sometimes I scare myself and the people I love. I'm scared of being alone. I'm scared of chasing everyone away. I'm scared that I'll never be able to stop this cycle. And my fear is deeper than I usually guess. It's so deep it takes over and fills my head with noise, and it makes me so angry.

And sometimes I feel like I can do anything. That I'm surrounded by love. That I'm a child of hope. I wish I could feel like THAT all the time.

But I'm sick. Ill. And that makes me forget the love. It makes me forget my life, my accomplishments, my own strength. It's real, and it's hard, and no one should have to do it alone. So I can't be silent. I can't ever be silent. Because I am not alone. No one is alone.

Jenny Sticks and Onion Starters

Jenny cut down a lot of saplings in the woods around the Garden at Montaluce to use for "projects." I called us outlaw gardeners, and these sticks were our ticket to whatever structures we imagined for our two acres of weeds in the North Georgia mountains. Jenny justified cutting down the saplings by explaining that they would never get the opportunity to grow beyond a certain size because the bigger trees would, essentially, choke them out.

Jenny Sticks and other foraged supplies.

We called her crazy Jenny, and her collection of saplings and branches, Jenny sticks.

Jenny was a brave woman with clear foresight, but she lacked confidence in her gardening abilities. I remember coming to work in the morning, a bag of onion starters in my back pocket, ready to get them in the ground so we could harvest in the fall, and then spending over an hour debating whether or not we would be able to properly protect the onions with the soil on the top of the hill where we intended to plant them.

Would it be loamy enough? Loamy soil will easily crumble in your hand, unlike clay, which makes up the majority of the earth in Georgia. You can find loam where trees have fallen in the woods and broken down. It's dark, moist, and it smells like soil should smell. Would our clay soil be able to remain well drained with the right additives? Would we be able to amend the clay enough so that it would allow the tiny onion starters room to expand and grow? Anything could upset the onions during their tenure in the garden, we read....admittedly on the internet.

Eventually, as was the case with most of these planning sessions, I would take a deep breath, stop trying to make sense of the diagrams, and start heading for the garden, ignoring Jenny's incessant desire to be "ready." There's no sense in waiting until I'm sure nothing can go wrong. I will never be absolutely certain that nothing will go wrong.

I can, however, be 100% certain that something will, most certainly, go terribly wrong, and I am.

That first patch of onions we planted didn't have a chance. We were way off on our additives, and the starters ended up growing decent green onions but nothing more. It was no matter. We didn't plant all of the starters there. A few weeks later we started a different crop mixed in with our garlic on a sloping area of the acreage that Jenny had used the sticks to terrace. The terracing allowed us to add enough to the soil to give the onions and garlic room to grow, and in the end we filled a room with onions and garlic after we harvested.

People talk a lot about their inability to start a project or make a life change because they aren't ready; I hear myself talking about being ready, about waiting until I'm fully prepared to take the next step, but I find the longer I wait, the more time I spend on the couch feeling sorry for myself, drowning in my depression because I'm not even really trying to swim.

The Garden a half a year later. The fruits of our risk.

So I try to keep moving. The world isn't going to stop turning for me to make sure I have all my ducks in a row. It's spinning pretty fast, actually, and we are all in a constant state of controlled falling. So, I put my seeds in the ground and take what I get.

Be faithful to your work, and be faithful to yourself, and with each misstep, you'll move closer to getting it.......right?

But don't expect to ever get it...you know...just completely and totally right. In fact, now might be a good time to try to let go of the idea that there is such a thing.