Nancy Caroline: A Timeline 1979-1998

Here it is, either my ultimate narcissistic gesture, or something I had to do to be able to see what others see in me. I started writing my timeline on the eve of my birthday, last Tuesday. Birthdays always offer an opportunity to reflect. Funny how that is. How, before, it was a celebration of milestones, and now, it's a time to look back and let go, to remember and look forward. Great time to do mushrooms or something, so if anyone's selling, I'm looking to buy.

Once I started, and the years began to reveal themselves to me, I realized how much fun it was, to look back over my life and condense it to fit a timeline of events. Each bullet point could fill an entire chapter of a book, and each time period, a volume, and that is the gift I have been receiving since I wished for it years ago, to own my life.

We begin with the beginning, my formative years, as a little girl in the world, connected to the ground through roots that grew out of my velcro tennis shoes, sent shoots out from my fingertips, and bloomed at my lips.

• Birth, Hickory, NC to James Anthony Allen and Martha Lois Nevills. Cesarean section. Explains how ravishing I am.
• Moved to Memphis, TN in a really cool 70s car so that my dad could go to school for Theology. I ate ice cream for the first time, I hear.
• I make countless cassette tapes of myself hosting some sort of talk show. I never listened to the tapes because I always always always hated the sound of my own voice.
• I have vague memories of dirty knees, spider webs, Christmas lights, and kittens. Also countless hours digging holes in the back yard or on the playground and searching patches of clover for one with four leaves.

• I sprained my ankle on my tenth birthday when I jumped off this Hamburgler on a playground at McDonald’s that you climbed up into like a hamburger jail mouth thing. My parents regaled me with stories of the day I was born to help keep my mind off how bad my ankle hurt that night.
• Mom and Dad used to wake me on Saturday mornings by “sneaking” into my room on their hands and knees, but I always heard them coming because they couldn’t stop giggling.
• I kissed a boy for the first time in the back yard of a house in Memphis after we jumped on a trampoline and drank orange-tangerine Mystic Waters until we almost threw up. It felt rushed and close. I said, “Orange-Tangerine,” when it was over. That was pretty much it.
• I took piano lessons, sculpting classes, art classes, and drama classes because my parents were pretty intent on making me into a complete and interesting human being.
• I got my period!
• I played the flute, and I loved it. You might say, she was my first great love. In those moments I spent alone in a soundproof practice room, I learned how to be honest and open, how to think and how to feel, how to sit with myself. Then, I got scared that I would stop impressing people, and the more frightened I got, the less I wanted to play my flute, until I stopped altogether (but only after more than ten years).

  

  Prom '98

• I discovered the Theater, my second love. I’m not 100% sure who, my mother or father, gave me my keen distaste for dishonesty, but the only real gift you need to be able to enjoy theatre is the ability to look life in the face and not back down from what you see. We back down from life in a lot of ways, take the easy way out, wonder what that ache is, even though we know. I felt like I could be myself in the theatre crowd. And then, for some reason, probably anxiety, I felt like an outsider, but that was much later.
• I graduated from High School.

Nina Simone is an American, and So Am I (Part I)

This woman. 

The first Nina Simone album I ever heard, I procured from an ex-boyfriend’s computer. I just made a little copy (because it’s the future) and saved it to my external hard drive which held five whole gigs and was roughly the size of a hardback book...way back in 2007.

I had never heard of Nina Simone until I met Liam, “my English boyfriend,” so I assumed she was English as well, for a moment. I had been living with him, first in Manchester and later in London over the course of a year with a brief completion and defense of a Master’s thesis thrown in the mix. I’m fancy. At the time I procured his music, we were broken up, but (like good masochists) sharing a space until my visa ran out. Torture.  

I arrived home to a Memphis that I could not remember without him. He, too, had spent some time across the pond with me in my apartment on Linden in Midtown, before it was out of my price range. I finished my Master’s degree while he “secretly” worked at a Sushi place. Thus, when I returned home without him, I was home, but I was constantly in the shadow of our past. It was hard because it was a lovely past.

However, it didn’t take me long to busy myself with teaching and performing, and by the time I turned 29, in 2008, I was quite the lady about town. In my humble opinion.

Ask any woman how much she weighed at any given time in her life, and she will more than likely be able to tell you, without hesitation, her exact weight, size, and shape. At least, I can. I always kind of felt like that was the message the world was trying to tell me, that I had a specific outward standard to meet. Hell, I also assumed there was a specific inward standard of which I consistently fell short.

When I turned 29, I weighed about 120, and wore a size four. The last time I hit those numbers, was in 1992, when I turned 13.

How did I do it? I was “too busy to eat,” but I still managed to go on long, “city” walks with my ipod tucked in my back pocket. I missed walking quickly through the narrow streets of London, climbing the escalators out of the underground two steps at a time, moving with purpose through the veins of one of the biggest cities in the world.

This time, I power walked through the heat of the southern American summer, refusing to drive anywhere that wasn’t absolutely necessary. No one does this in Memphis. Still.

Since I had been in Europe during one of their coldest summers the previous year, I missed the oppression of the heat on the Mississippi Delta, if you can believe that. I walked, sometimes in the morning, but more often at dusk, and I reveled in my own sweat from the slow heat of the late summer. I relished it. It healed me.

I put Liam’s music on the iPod that he bought me for my 27th birthday, and I listened to it on my long walks. There was a lot. Every album from The Smiths. Every Wilco Album. The New Pornographers. The Chemical Brothers. The Knife. The Stone Roses. And Nina Simone. To name a few in a series of non-sentences just to enrage my grammar-nazi friends (Relax. I am one of you. I just like doing things I’m not “supposed to do.” I’m not selling heroin to poor people, so can I just have this one?)

The first time I heard Nina Simone’s voice, I felt a little embarrassed for her, not because I thought it was an ugly voice, but because it struck me as something out of the ordinary. I grew up in a world where the extraordinary were encouraged to embrace the ordinary, lest they fall into temptation and be lost forever. Over the years, I have come to believe that in order to embrace the part of myself that is truly remarkable, I have to be vulnerable, sometimes to an excruciating degree, a bit like Nina Simone's voice.

One summer, I directed a live-action “music video” to the (not) hit song “Flip City” from the soundtrack to Ghostbusters II. I also starred in it. I convinced a bunch of girls to let me choreograph performance art depicting the rise of the ghosts at the hand of Vigo the Carpathian, and we performed it in the talent show at CHURCH CAMP. I should have had “uncomfortably vulnerable” down pat.

The transcendent voice of Nina Simone bled emotion. She did not fit into the status quo, but, as I have observed things, black women rarely do. She was so angry, and she was so sad, and it was all so familiar.

So I listened, and I walked, and I tried a little more to open up and accept life as it came.

Until next time:

And also

Thank You SO Much for Reading This part I

Now let's talk about America.

I took a class in graduate school at the University of Memphis (AF) on Ralph Waldo Emerson. The first day our professor explained that we would almost exclusively be talking about reading the works of Emerson with a little bit of Thoreau and a touch of Whitman along the way, and if that sounded like a death rattle to anyone, they had a whole week to drop the class. Then we were dismissed. I think maybe one person dropped, but the rest of us, obsessed with excavating and gluttons for punishment, arrived bright-eyed and bushy-tailed to the next meeting.

If you consider yourself to be an explorer, bitten by the bug of wanderlust, I encourage you to read Emerson’s Nature. It’s difficult and sweeping, but it will change the way you see yourself within the context of patriotism. It will make you love America again. Emerson wrote the American philosophy. He said he was going to do it, and then he did it, and he was revered for it. When he was too old to even speak, crowds would gather at universities, and he would be rolled out in a wheelchair so that the people could just look at him.

I fell in love with Emerson for the first time in tenth grade after reading only brief snippets of his essay “Self Reliance” and a few poems. I scribbled “To be great is to be misunderstood,” and “Trust thyself: every heart vibrates to that iron string,” on bathroom walls at rock and roll shows. I watched Dead Poets Society a million times, and a million times I cried whenever I heard someone say “Oh captain, my captain.” Emerson encouraged me to be me, ridiculous and rude, gentle and gigantic, beautiful and terrible, because that was also the story of America.

Studying Emerson in graduate school was inspiring and illuminating. He too grew old and callous, and he too had many shortcomings. Learning everything about a hero is like learning everything about your father. He could make everything okay, pick you up and make you fly like Superman when you were a little girl, but he was also a human being, and, just as you would in your twenties...and thirties, he made a few bad decisions.

Nevertheless, Emerson inspired Americans, young and old, and continues to inspire. He inspired me to begin to dig deeper. He kept talking about all these things that men should be doing in America. He envisioned a new nation whose art and literature were not inspired by the past, rather, they were inspired by the future of a country free of British rule. He told men to go out into the woods, of which there was an abundance at the time, to reconnect with this land that we now inhabited, and to draw from it the language of a new way of living. By philosophizing the problem, “the reason why the world lacks unity, and lies broken in heaps, is because [this is a terrible grammatical error, but that’s how he said it, i.e. sic] man is disunited with himself.” He said that in his ground breaking essay Nature, which was, in turn, his solutionizing.

I was in love. He was so right, and I’d always known it. I immediately imagined him alive today, and we totally made out. Then, later, as is often the case, I started to wonder if maybe I had jumped the gun by throwing myself at him right away. I mean, he was saying all this stuff about going off into the woods to regain a concept of what it means to be...a man.

It was 1830s or 40s-ish U.S.A., and men had ample opportunities to explore and engage with the new continent, but women couldn’t connect on a visceral level with Emerson’s ideas because they were not free to strike out on their own. How could half the population of a burgeoning nation transcend if they lived at the behest of the other half. They lived to serve men. Is what I’m saying. It was legal to lock your wife in your room and beat her for being disobedient (for another hundred years). If a woman never married, she lived on the good graces of family members that did marry, as she could have nothing of her own. Thanks, Emerson. Thanks for getting me all excited about stuff you did not even mean for me.

Luckily (or unluckily) my prof told me to read me some Margaret Fuller. The rest, my friends, is history.

Okay. Please come back tomorrow, and I will post part II. Until then:

THANK YOU!

Try to Follow Along

Just Yes. 

I feel like I had a pretty eclectic musical upbringing. I started out being heavily influenced by the founders of Rock n Roll and Pop Rock (AKA the oldies station my parents liked). Then, the 80s digitized my fancy into the age of electronica, and the 90s, while destroying Rock N Roll forever, will always have a special place in my heart. Never mind the fact that I just listened to the oldies, The Monkees, and EVERYTHING NKOTB up until about eighth grade when I heard Rubber Soul for the first time.

I used my allowance a few months earlier to buy The Cranberries Everybody Else is Doing it So Why Can’t We? on tape, received The Smashing Pumpkins’ Siamese Dream and Pearl Jam’s Ten for Christmas on tape as well, but Rubber Soul was the first compact disc that I bought. Many more Beatles CDs would drain me of my allowance, including my all time favorite: Revolver that I originally had on tape from my parent’s collection along with the glorious White Album. Ugh, and that epic roundup of songs at the end of Abbey Road, the last album The Beatles every recorded (not released, look it up), makes me feel everything I've ever felt (The Beatles became available on Spotify for Christmas, and it's the only thing I'll ever need).

Much Better. 

An ocean of music would touch my life between then and now, but one thing always remained the same. I was always searching for a connection to a part of myself that wasn't always easy to find on the radio.

I am not a music critic. I am not a professional musician. I studied the piano a harsh total of two years and quit because I never played a recital. I kept fighting with my parents about practicing because I failed to see the point. Then, I played the flute from the seventh grade through my senior year in high school because I was considerably good at it and able to prove it on occasion. I continued lessons a few years beyond in college, where I also took voice lessons. Then, I played flute with a couple of garage bands in Memphis in the early 2000s, helped found and direct a musical improvisation team in Atlanta around 2010, and now I play mostly guitar for myself while I occasionally bust out the flute. And I sing Karaoke. I love Karaoke.

Yeah. That's me down there. 

I am an enjoyer of music. I appreciate music, not only for the color it brings to my life but also for the skill and effort that it requires to create. I am struck repeatedly with the quality of the effort The Beatles as a unit produced in the 60s. Just as Shakespeare is always relevant because of his appeal to the larger part of humanity, The Beatles have made a place for themselves in the annals of music history by blending effort with ingenuity to create something that connects everyone (I first spelled "annals" as "anals" which was clearly wrong but fun to write).

It takes a great deal out of a person to connect on a universal level. Art that speaks to everyone reflects the heart of humanity. Music expresses that which cannot be expressed entirely through words. Don’t take any part of that for granted. Music is the language we all understand (you can’t say math is that because I don’t understand a damn thing about math), even if...especially if we cannot find words to fully express how much it affects us. 

As I continued my search (and as Pandora and Spotify became a thing that made music more accessible), I began to be struck with the music I would find, and the way it would affect me. I was looking for, you probably guessed it, women's voices.

Damn right. 

One might argue that women’s voices do not represent the whole of humanity, and I would rebuttal that jerk in the face with the back of my hand. I wouldn’t do that. I try not to be violent. I would, however, remind him or her (him) that the same is true of men’s voices. Yet, look through history and you will find more male voices than female voices. Why? I’ll be honest. Probably because of the patriarchy and how men, especially white european men (sorry dad) have used it to subjugate anyone they deemed “other.”

I bet I know what you’re thinking. It sounds like I hate men. I don't, entirely. Not every man is voluntarily a soldier for patriarchy because a majority of men are not even aware of its effect on the way they see the world. Neither is every woman a soldier of feminism. Many women are unwittingly...and some very wittingly...patriarchal in their own views of the rest of humanity.

Weren’t we talking about music….and The Beatles? Yes, we were, but I want to travel back to the magical world of “I am paying for this Master’s degree, and I intend to use it.” I’ll begin with a question.

Case in point. 

What does it mean to be a man? Yes, that is a loaded question. The answer is much more than I could fit into the pages of a book. Literature and art have done a decent job of asking and answering. Patriarchy has been the guiding philosophy for millennia. There are countless books, poems, paintings, plays, films, and historical accounts to witness to the experience of man.

Ever heard of a little work called “Hamlet?” Shakespeare, like a resounding symbol, casts the most repeated question that has ever been posed, “What a piece of work is a man!” Then, he kills everyone. I think it speaks for itself.  

The world of art and literature could have stopped there, but it continued to pose and attempt to answer the same age-old query. Despite this, there are still many men who feel as though they don’t fit into the stratification of their own gender. It’s important to remember that Patriarchy is not about specifically male domination. In the words of Buffy Summers as “the first” in the epic feminist final season of the cult classic Buffy the Vampire Slayer, “It’s about power,” and I don’t think every man in America is obsessed with power. The Patriarchy works in mysterious ways.

Feminism, on the other hand, is about equality. Don’t be afraid of the term because it shares with the word “feminine.” Equality cannot exist until the scales are balanced, and that feat can only be accomplished if and when women (and men, to be honest) are allowed to discover for themselves what femininity (and masculinity) truly means outside of the confines of the patriarchal world view. You know what I mean........Vern?

#destroythepatriarchy

At the moment, what we know of the female experience is limited to what our society will allow, and our society is still very much under the guise of the patriarchy. Things are changing. That is clear. Women of different shapes, sizes, ethnicities, economic backgrounds, and abilities are beginning to speak loud enough to be heard over the din of popular culture. Their voices represent a larger picture of humanity that has rarely been allowed to make it to the surface.

Patriarchy promotes the subjugation of those who do not fall in line with the reigning power structure and are, therefore, considered to be the weaker parties. Feminism, on the other hand, champions diversity. Equality demands diversity, and in our diverse world, democracy cannot exist without equality.

So, yeah, let’s talk about America...but Next time.

I'm struggling with my sad brain this week, folks, but this post makes me happy, and the next one will too, I hope.